How do you feel connected to your peers,
greater community, Canadian dance ecology and the role of dance in general?
How do you make room for yourself in the
community?
Who (or what) inspires you the most and
why? When you enjoy dancing the most?
What makes a great dance?, What is Dance?
If you had the luxury of unlimited time
what would you choose to cultivate in yourself or art practice? (Blue sky thinking)
What are people’s desires in preserving or
breaking formal theatre format?
Do you have image of place (theatre,
site-specific, etc.) in mind before you go into creation or does it come after?
When does the role of audience become part
of the work?
When/how do you consider the audience?
How do we allow work to be seen more when
there are fewer presenting forums and smaller audiences?
What is, in your opinion, an old way of
working or approaching dance that might need to evolve?
What is the role of tradition in
contemporary dance?
If you could design a training program,
what would it be?
What influences does (specific) training
have on a dancers ability to adapt to change?
Do you think the training model (in the professional realm) is lacking
something?
How do you start?
What is the value in the
intellectualisation of the creative process?
How do you make structure and content
align?
What is the main obstacle you face when
creating?
What (if any) are your tools to overcome
obstacles or what are such tools you admire in others that you can identify?
What structures/organization does dancers
need to make their work or to be more efficient in making of dance?
How do you approach working
collaboratively?
How much information of your creation you
like to share with your collaborators, at what point, and why/why not?
How do you negotiate the truth in the room
vs. original choreographic concepts?
How do you know or recognize ego
influencing the work and how do you reflect and redirect this?
How do you dive deeply into a
choreographer’s world and still keep elements of yourself? / Should you?
What is the value of having a “movement
signature” as a dancer and when does it hinder the process?
How do you feel in rubbing or uncomfortable
situations? Stay or Go?
How do you take your place and leave room
at the same time during a process?
How to remain autonomous?
How to not let the work you dance in and
see subconsciously become your vocabulary?
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